Early Modern London Theatres
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Viewing Venue Record: Salisbury Court
Venue Locale
Structure
Salisbury Court
Street
Water Lane
Parish
St Bride's, Fleet Street
Ward
Farringdon Ward Without
City
London
Name, as appears in Primary Sources
New erected Playhouse
in event:
A play at a new playhouse argues that plays must be good since puritans do not like ...
Sal. Court
in event:
The Master of the Revels receives payment from a benefit performance of 'Hannibal and Scipio'
Sal. Court House
in event:
The Master of the Revels receives income from his shares in Salisbury Court
Salisbury Court at ye further end of fleet street against ye Conduit
in event:
Thomas Crosfield records theatres and actors of the five main London companies
Whitefriars
in event:
Theatres proliferate in 1620s London
a playhouse
in event:
Chancery, William Beeston vs Earl of Dorset: Beeston states his case
a playhouse
in event:
The Earl of Dorset leases land for a playhouse: Sir George Gresley's letter
private house in Dorset house yard
in event:
Richard Heton drafts a patent for Queen Henrietta Maria's company and states his further intentions
Active dates
Dates
From: 1569 To: 1656 (Source of claim: externally supplied)
Related Events
Requests, Salisbury Court vs Brome: Richard Brome responds to the charges
Requests, Salisbury Court vs Brome: The owners and players state their case
Chancery, William Beeston vs Earl of Dorset: Beeston states his case
A petition is made to the Earl of Dorset concerning the lease of Salisbury Court
George Wilson killed at Salisbury Court
The Earl of Dorset leases land for a playhouse to Richard Gunnell and William Blagrave
Richard Heton writes instructions for a patent to govern an acting company at Salisbury Court
The Earl of Dorset leases the Salisbury Court property to John Herne
Salisbury Court may be spherical?
The masque 'Microcosmus' is staged at Salisbury Court with movable scenes
Salisbury Court is described as a 'little House.'
A play at a new playhouse argues that plays must be good since puritans do not like them
Queen Henrietta Maria's Men revive 'A Mad World my Masters' at Salisbury Court
The Earl of Dorset leases land for a playhouse: Sir George Gresley's letter
Sir Henry Herbert sends four players to join the Salisbury Court company
A citizen objects to the second part of 'The City Shuffler'
Henry Herbert imprisons a man for lending a church robe to the players at Salisbury Court
Theatres close because of the plague
The prologue for 'Holland's Leaguer' compares Salisbury Court to the Globe and Phoenix
'Doctor Lamb and the Witches' is licensed with additions for Salisbury Court
Requests, Blagrave vs Babham: Blagrave states his case
The Master of the Revels receives income from his shares in Salisbury Court
'The Spanish Purchase' is licensed to the Salisbury Court company
'The Love Sick Courtier' is licensed for Salisbury Court
'The Arcadian Shepherdess' is licensed for Salisbury Court
The Master of the Revels receives payment from a benefit performance of 'Hannibal and Scipio'
'Microcosmus' is performed at Salisbury Court
'The Antipodes' is performed at Salisbury Court
'The Sparagus Garden' is performed at Salisbury Court
Plays cost a shilling at Salisbury Court, two pence at the Fortune or Red Bull
Theatres proliferate in 1620s London
The playhouse where 'The Muses' Looking-Glass' is performed may be newly built
Christopher Beeston forces Queen Henrietta Maria's Men out of the Cockpit/Phoenix and to Salisbury Court
'Love's Aftergame' is performed at St James' Palace
A summary of theatres built in London: Edmund Howes
King's Revels company performs at Hampton Court
Requests, Blagrave vs Babham: Blagrave replies
Requests, Blagrave vs Babham: Babham responds
Richard Heton clarifies the terms of agreement with the company at Salisbury Court
Richard Heton drafts a patent for Queen Henrietta Maria's company and states his further intentions
Theatres close because of the plague
Thomas Crosfield records theatres and actors of the five main London companies
A pamphlet imagines two actors lamenting the closing of the theatres during the plague
The Privy Council orders playing companies, 'as also the Keepers of Paris Garden,' to shut down their houses and cease playing
The Privy Council orders theatres closed because of the plague
The Privy Council orders playing companies and performances suppressed during the plague
The Privy Council orders theatres closed because of the plague
The privy council orders theatres closed because of the plague
A handwritten addendum to Stowe's 1631 Annals outlines the post-Civil War fate of London's theatres
'Dido and Aeneas' is licensed to Queen Henrietta Maria's Men
Brome's 'The Florentine Friend' is licensed to Queen Henrietta Maria's Men
Blagrave and Beeston petition the Master of the Revels for the return of Stephen Hammerton
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